iPhone 11 shoots beautifully sharp 4K video at 60 fps across all its cameras. Those would do when played on a 1080p TV or monitor, but in native 4K they are quite poor.Then the 1080p footage from this snapper, taken in both 30 and 60 fps, looks better. This begins to matter when the iPhone 11 is used with partner program Filmic Pro for capturing and utilizing multiple angles at once. Here is a sample.Apple iPhone 11 can capture all kind of videos in all kinds of resolutions and framerates with all snappers and it can even do it simultaneously if you have the right app. It's similar to what Fujifilm offers with film simulations and in-camera Raw processing in its mirrorless X and G cameras, but with a much slicker interface.The iPhone 11 Pro offers the same video features across all of its cameras—4K at your choice of 24, 30, or 60fps for the best quality, or 720p30, 1080p30, or 1080p60 if you're trying to keep file sizes down. I recommend taking a look at a premium compact if you typically work toward the wider end of the spectrum, or a long-zooming bridge camera if long-distance capture is your speed.If you're happy with your current camera, stick with it, and look at the iPhone 11 Pro as a supplement.

Sure, it helps to keep storage open for apps and videos and the like, but it's my storage to fill as I see fit.Aside from that, my overall impression of the Photos app is overwhelmingly positive. This is Apple's low-light photo mode, and the results are spectacular.They're spectacular in the sense that images taken in the low light of, say, an evening, are now just perfectly clear and viewable. I can't answer that question for everyone. The sky is unnaturally bright, like a day-for-night effect in an old movie, the result of the phone brightening the moonlit sky.The iPhone 11 Pro tackles the same scene and draws it a little differently. Now you can adjust the simulated light strength, and this will change the person's skin tone and smoothness the same way it would happen in a real studio. Apple has added a Night Shot mode—its take on the.Google makes you turn Night Sight on, but suggests when to use it. There is more than enough detail, they are sharp but not over-sharpened, with great dynamic range, and accurate colors though still a bit washed out.And here are a couple of 7MP cropped selfies, if you wonder what those would look like.Portrait mode is available on the front camera helped by the TOF snapper, and the subject separation is on par with the primary Portrait mode on the rear camera. iPhone 11 … If I bought one of these phones as my camera, I'd be a little peeved about that. In this instance, it's pretty far ahead of the Pixel 3 XL too, with edges that are crisper when viewed at standard screen resolution, and decidedly more detail when pixel peeping.Neither will compete with the quality you can get with an interchangeable lens camera and a sturdy tripod, but it's pretty amazing when you consider the convenience of a quick, handheld snap. And now you can edit videos as easily as you do photos.See the advanced technology that goes into every Night mode shot,See what an Apple‑designed chip is capable of,See how Face ID works without storing or sharing your photo. I shot the 11 Pro alongside the $750 Canon G7 X Mark III and the $900 G5 X Mark II, two models that offer larger 1-inch format sensors and f/1.8-2.8 zoom lenses with 100mm and 120mm of equivalent reach when zoomed in, respectively. Compare it with a shot from the full-frame Nikon Z 7 above, taken from the same spot with an 85mm lens attached. The 1x benefits from the a larger sensor, which better handles scenes with mixed light.